Why do bad movies make so much money

The summer blockbuster, which attempts to show how doomed we all are when the next big earthquake hits, is the latest poorly received film that audiences nevertheless embraced. Another film that rankled critics and movues alike, The Day After Tomorrow depicts climate change gone bad, very bad. Space cowboys who save the planet? Ben Affleck doing naughty things with animal crackers? One of the most highly anticipated comedy sequels in recent memory, The Hangover II was destined for box office greatness. They could have filmed Zach Galifianakis throwing up for two hours and made money. ,oney this the worst children’s show-to-film adaptation of all time? That would be Inspector Gadget. But The Smurfs is certainly one of the most painful to make a boatload of money. Lured by Katy Perry and crippling nostalgia, parents who grew up with the tiny blue creatures moovies their kids to theaters in droves.

Due to the secrecy surrounding costs and profit margins in the film industry, figures of losses are usually rough estimates at best, and there are often conflicting estimates over how much a film has lost. To accommodate this uncertainty the losses are presented as ranges where this is the case and the list is ordered alphabetically in the absence of a definitive order. Because the films on the list have been released over a large span of time currency inflation is also a factor that must be considered, so the losses are adjusted for inflation using the United States Consumer Price Index to enable a fair comparison. Some films on this list grossed more than their production budgets yet are still regarded as flops. This can be due to Hollywood accounting practices that typically manipulate profits or keep costs secret to avoid profit-sharing agreements, [1] but it is also possible for films to lose money legitimately even when the theatrical gross exceeds the budget. This is because a distributor does not collect the full gross, and the full cost of a film can substantially exceed its production budget once distribution and marketing is taken into account. For example, tax filings in for Cinemark Theatres show that only While the distributor’s cut will vary from film to film, a Hollywood studio will typically collect half the gross in the United States and less in other parts of the world. Marketing often represents a substantial share of the overall cost of the picture too: for a film with an average sized budget the promotion and advertising costs are typically half that of the production budget, and in the case of smaller films it is not unusual for the cost of the marketing to be higher than the production budget. There are some films notorious for large production budgets that are commonly thought to be box-office bombs, but have either broken even or turned a profit.

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It also eventually broke even through other revenue streams. From Wikipedia, the free encyclopedia. Background shading indicates films playing in the week commencing 17 January in theaters around the world. Film portal Lists portal. Retrieved January 1,

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Latest Issue. Past Issues. Batman film are both slated to open next year. Superhero cinema is still in its larvae stage, he says, and the classics will come, as they did for westerns in the s. But the causes of blockbuster sameness, which are rooted in the economic history of the movie industry, don’t really predict an artsy future for blockbusters. Hollywood has become sensational at predicting what its audiences want to see. And, ironically, for that very reason, it’s become better at making relentlessly average movies. It’s hard to imagine just how impregnable the movie industry was back then.

From a distance, the movie business might look pretty glamorous. Celebrities and producers glide down red carpets, clutch their Oscars and vacation in St. Barts…just because they can. The public can be fickle, the industry is in flux, and just about any movie is an extremely risky investment, even a film starring big name actors and actresses. Major studios and indie filmmakers alike now spend much of their days looking for new sources of revenue, because ticket sales are no longer the be-all and end-all for films. This is in part because it costs far more to make and market a film than it seems. Romantic comedies or some children’s films need to promote themselves via TV commercials and media advertisements, and those costs add up quickly. For any type of film, whether a blockbuster or an indie production, things like tax incentives and revenues from product placements can help pay down the budget. If they’re given an incentive to shoot a film in Canada or Louisiana or Georgia, producers will usually hustle to do so. Still, there are a few tried and true ways that films can attempt to make money.

Budgets can be made for a variety of individual or business needs or just about anything else that makes and spends money. Yes, America does make more movies. Cop suspended for troubling video of ex-NBA player. PurpleSocks Lv 4. Whether a movie makes or loses money, though, one question that seems to reappear often is just why it costs so much to make a movie. It’s no surprise that lots of the cost of filming a big budget movie comes from the people in charge of making it. Over a day or longer shoot, paying the cast and crew alone can add up quickly. The equipment and supplies needed to film the movie are very expensive, too. Answer Save. Not that they live there, they just like to make movies there. The fact that marketing expense is not included in production cost figures is why studios may claim to have lost movie on a money that grossed more than its negative, or production, cost.

The more successful ppl there r the more successful the movies will become because of ma,e well known rich actors. The number of people on a crew can be exceptionally high—but as things get more and wht complicated, with the addition of effects like explosives or gunfire, every single person on that crew becomes necessary to make sure things run smoothly and efficiently. Compare Investment Accounts. Yes, America does make more movies. Budget Definition Why do bad movies make so much money budget is an estimation of revenue and expenses over a specified future period of time and is usually compiled and mufh on a periodic basis. And production isn’t the end of the story: special effects, depending on the type of movie, can be an enormous cost, and music has to be composed and performed as .

Film is a big business. Typically, the details of budget information are confidential, but there are a few examples floating. This leaked budget for M. It’s no surprise that lots of the cost of filming a big budget movie comes from the people in charge of mney it.

However, these large fees are often attached to just umch anyone who has significant creative influence over the film. For example, Robert Downey, Jr. Even for lesser-known actors, pay can only go so low. Also included are the other crew members who maie needed to make production and post-production go smoothly and turn in a high quality finished product. Over a day or longer shoot, paying the cast and crew alone can add up quickly. The number of people on a crew can be exceptionally high—but as things get more and more complicated, with the addition of effects like explosives or gunfire, every single person on that crew becomes necessary to make sure things run smoothly and efficiently.

As it turns out, paying a very large crew to run on time tends to be much cheaper than paying a slightly smaller crew and having to worry about paying overtime. The equipment and supplies needed to film the movie are very expensive. Set design and effects also take lots of money, especially in blockbuster action films. Visual effects add even more to these numbers; depending on the scale of a production, hundreds of VFX artists can spend months working on a film.

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The Real Way Blockbusters Make Their Money — Cheddar Explains

M oviegoers are always talking about films or directors that do not get the respect they deserve. Brilliant films are slighted at the Oscars, while tripe and offal is honoured, they say. Audiences go wild over inane cartoons, while brilliant animated films from Japan or Iran remain little more than obscure cult favourites, known only to a select. Everyone sees the mass-produced Hollywood trash; nobody sees the hidden, low-budget, indie, foreign gems.

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There are, on the other hand, films that do get the respect they deserve. They get exactly the respect they deserve. That is: they get no respect whatsoever. It was stupid. It was trash. It was pathetic. Perhaps, at long last, Sandler would go away and take his stupid, post-prepubescent films with. But there is a key point to bear in mind here: Pixels may have been a flop, but it was a high-profile flop. It was not a flop that quietly came and went without anyone noticing. It got the disrespect it deserved. The point is that big-budget bad films such as Pixels get released theatrically, they get reviewed, they get at least a one-week run in cinemas — longer if they are really big-budget films — they are mocked and ridiculed, and then, and only then, do they disappear. If they are really, really bad films such as Gigli or Mars Needs Moms or most recently The Lone Rangerthey enter the Pantheon of the Preternaturally Putrescent, the Temple of the Timelessly Trashy — movies so bad that people will still be talking about them decades after their release. These films may be gone but they are not forgotten.